Frederic Malle Editions de Parfums
Eau De Magnolia

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Acordes dominantes
- cítrico
- floral
- amadeirado
- aromático
- terroso
- especiado fresco
Pirâmide olfativa
Saída
O primeiro impacto, nos primeiros 15 minutos.
Fundo
O rastro que fica na pele até o fim do dia.
Como ele se comporta
Fixação, projeção e ocasião — votos da comunidade internacional somados aos daqui.
Gênero
65 votos
Quando usar
- Inverno: 9 votos
- Primavera: 59 votos
- Verão: 59 votos
- Outono: 19 votos
- Dia: 56 votos
- Noite: 8 votos
Onde encontrar
Nenhum decant à venda nem vaquinha aberta agora. Marque Quero ali em cima — é o interesse da comunidade que puxa a próxima vaquinha.
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Impressões da comunidade internacional
Traduções chegam aos poucos — textos em inglês por enquanto.
- em inglês
Walking through Neiman Marcus, I was bombarded with sales people and high-end mass market fragrances before I finally culminated my visit at the Frederic Malle counter. I smelled Eau de Magnolia for the first time and bought it instantly. The fragrances that were sprayed on me before it were very pleasant, beautiful even. But THIS. For the first time in my life, I was instantly transported to a Japanese garden of cherry blossom trees on a breezy, warm, lush day after smelling this. I was someone else entirely. Then I heard Pan flute and felt the bark of a bamboo tree. It was so transporting on every sensory level it literally brought tears to my eyes! To actually experience a smell that instantly takes you to a different time and place speaks to the perfection of Eau de Magnolia. So delicate, so gentle, soooo lovely. It is the most delicately and innocently beautiful thing I have ever smelled. Like a glass ballerina that is so thin and light you can't even touch it for fear of breaking it. Like a rendition of "Fantasie Impromptu" playing in the background as gentle rain falls on white lilies, unfettered by gray clouds. It is so achingly precious! And somehow I just can't separate this smell from Japan, the Japan of a hundred years ago. I feel this perfume would be very popular in the Southeast Asian market in general. This is not just a fragrance, this is a miracle. This is blissful. I have also seen people mentioning wearing white with it and I completely agree-- it just requires a white shirt/outfit and it makes me want to put my hair up and paint a watercolor picture. Just amazing!
- em inglês
I would like to offer an original take on this perfume but I can’t. After spending quite a bit of time with it, and scribbling down incoherent and incomplete thoughts about it, I finally started reading what others have said and I have to give mention to the eloquent Persolaise in his review (https://persolaise.com/2014/07/persolaise-review-eau-de-magnolia-from.html). I don’t know if it took him as long to write his assessment as it did for me to come up with mine, but he nonetheless says exactly what I was thinking and does so better than I likely could. So, please give his review a read. Unlike Persolaise though, I do love Eau de Magnolia because it’s unlovable. The Edgar Allen Poe quote “there is no exquisite beauty without some strangeness in the proportion” is, of course, correct. But when you encounter beauty with no strangeness? Is it no longer beautiful? Or just not exquisite? Many a philosopher-type have pedantically argued over this. I’m in the camp of the latter: I don’t need beauty to be exquisite. Eau de Magnolia is a superb intellectual exercise devoid of any strangeness to really make it exquisite in some beauty sense, or emotional sense, but it’s a superb intellectual exercise that’s very easy to wear. That in itself, in this era of modern perfumery, is a truly commendable feat. Eau de Magnolia acts like a magnolia cologne, easily wearable by man or woman for any reason or occasion, but, should you want to intellectualize it, it’s fully open and capable of that conversation. Anyone, anytime, anywhere, for any reason, can wear it - and you should.
- em inglês
This fall I gave this fragrance as a birthday present to a chic and feminine friend of mine. She mentioned how she was tired of all these synthetic designer fragrances. She's not into fragrances, but wanted something natural smelling and more unisex. When I bought it for her, I tried it on myself and I loved it! She praised it too thankfully... Eau de Magnolia got me all obsessed on this hunt for a good floral cologne I could pull off myself. Funny thing, the following month I got this little gem as a birthday present from my boyfriend. He had NO idea that it was the same as I bought earlier, and I couldnt stop obsessing about. He's not into fragrances either, but this was his way of trying to impress me. Of all the fragrances he sniffed, he picked Eau de Magnolia. I was impressed. He normally likes masculine designer fragrances. Eau de Magnolia is refreshing citrus at the top, sweet airy florals come out in the middle and a floral earthy base in the ending. It's simple, pretty linear, but not boring. It reminds me slightly of Mojave Ghost by Byredo (similar feel, not notes), only this is more natural and slightly more unisex. As a man, I wouldnt say its very masculine, but it will probably make you noticed in a positive say. At least it has for me. Sillage and longevity very good in my opinion for such a light natural fragrance. Easily 7-9 hours on my skin. Cant't wait to wear this in the warmer months with a linnen shirt and sunglasses :) Edit: it’s wonderful! A 7 out of 10
- em inglês
Eau de Magnolia is nothing short of stunning. It opens with the prettiest, most natural sour lemon note—bright, crisp, and mouthwatering, like slicing into a perfectly ripe lemon on a sunny morning, juice fresh in your fingertips. But the real magic begins as this sparkling citrus softens into the heart of the fragrance: a truly beautiful magnolia. What makes this special is how delicately the white florals are woven in. The freshest, most ethereal magnolia blossoms kissed by morning dew, delicate yet vivid, with a faint zesty brightness that ties seamlessly with the opening citrus notes. It’s both floral and slightly green, capturing the natural freshness of magnolia petals rather than an abstract or overly perfumed version. As the scent develops, the magnolia takes on a subtle, velvety texture, feeling soft and almost weightless, as though you’re standing under a magnolia tree in full bloom, the petals drifting down around you. The jasmine here, rather prominent to me, is whisper-light, almost tea-like, lending a soft floral depth without stealing the spotlight—rare for an often heady and overwhelming floral. The calones give the composition a refreshing, airy quality, while just a hint of clean, earthy warmth grounds everything, creating balance and elegance. This fragrance feels so real—full colour, full natural, totally effortless. If magnolia had its own dewy, golden hour moment, it would smell like this. Easily one of the nicest scents ever crafted.
- em inglês
For reasons I can’t quite explain, I’ve always perceived this fragrance as something far more than just another fresh summer scent. To me, Eau de Magnolia is summer poetry, an exercise in abstraction rather than a simple olfactory refreshment. I imagine a summer night by the sea. A luxurious hotel room with the windows thrown wide open. A large bed dressed in white, slightly crumpled sheets, positioned right next to the open balcony doors. Outside, a sleeping beach stretches beneath a star-filled sky. Long white curtains sway gently in the warm breeze. On the table nearby, a half-finished bottle of champagne rests in an ice bucket, cold, sharp, almost serpentine. While it may not be my absolute favorite “fresh” fragrance, it is undeniably special and it always will be. There’s an elegance here that feels effortless yet deeply considered, refined without ever becoming stiff or sterile. Carlos Benaim is a big name, and his work for Frederic Malle speaks for itself. Eau de Magnolia stands as one of those creations that quietly demonstrates mastery rather than shouting for attention. For me, this is a perfect ten a fragrance that transcends the category of freshness and becomes something far more emotional, evocative, and artistic.
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