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Jazmin Sarai

Nar

2018· Dana El MasriUnissexdemanda baixa em decants
Frasco de Nar, de Jazmin Sarai

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Acordes dominantes

  1. amadeirado
  2. aromático
  3. especiado suave
  4. herbal
  5. âmbar
  6. talcado

Pirâmide olfativa

Saída

O primeiro impacto, nos primeiros 15 minutos.

Coração

A personalidade do perfume, por algumas horas.

Não informado pela comunidade ainda.

Fundo

O rastro que fica na pele até o fim do dia.

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Como ele se comporta

Fixação, projeção e ocasião — votos da comunidade internacional somados aos daqui.

Fixação

1 voto

  • muito fraca0
  • fraca1
  • moderada0
  • duradoura0
  • eterna0

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Projeção

1 voto

  • íntima0
  • moderada0
  • forte1
  • enorme0

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Gênero

2 votos

FemininoMasculino

Quando usar

  • Inverno: 1 voto
  • Primavera: 0 votos
  • Verão: 0 votos
  • Outono: 1 voto
  • Dia: 0 votos
  • Noite: 1 voto

Onde encontrar

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Quem gosta deste também gosta

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Impressões da comunidade internacional

Traduções chegam aos poucos — textos em inglês por enquanto.

  • em inglês

    This perfume smells like the inside of an old liquor cabinet. It smells like someone poured a bottle of Jack Daniels over a freshly chopped tree-trunk: woody, resinous, and boozy. I like woody scents, but this was too strong for me. It also doesn't last very long.

  • em inglês

    I feel bad that this is my first review, but this one literally smells like tacos. I enjoyed my samples of Otis and Me, Led IV, and Ma're. But I did not enjoy this one at all. I even threw the paper strip away within two minutes. I'm not trying to be negative, but I want to save someone from blind buying it (and I'm glad I didn't!). I do 99% niche fragrances and enjoy finding obscurities. But this was by far the biggest NO of all the samples I've ever tried. To each their own. Maybe my nose is weird.

  • em inglês

    (From the Adel Emam film Al Erhab w'al Kebab) After a long day of work, Ahmed comes home and tries to serenade his wife who is fast asleep. He sings some classic Egyptian songs from Abdel Halim Hafez, Mohammad Abdel Motaleb, and Farid el Atrash off key, while trying to make as much noise as possible to wake her up. He has no success. He pops in a cassette of Abdel Halim Hafez and proceeds to wake her up in the comical fashion for which Emam is best known. When she yells at him for making so much noise and waking her up, Ahmed reminds her that despite life's challenges, listening to Abdel Halim reminds one that life isn't so bad and they should enjoy it. Ultimately, Ahmed fails to seduce his wife, which is part of the movie's themes of accepting and making due with what is beyond one's control. Nonetheless, what he said about Abdel Halim's music is a common sentiment. He remains a figure of hope and passion even decades after his death, and his music continues to be heard in bars and concert halls among a younger generation. The deep, emotive and warm crooning of the Egyptian Nightingale stirs a burning fire in the hearts of Arabs and non-Arabs alike. Hence why a fragrance inspired by Abdel Halim Hafez is named Nar, which means fire in Arabic. The immediate impression when you first spray Nar is smokiness. It's not the kind of smoky note associated with birch tar or incense, but more along the lines of liquid smoke. As it dries down, Nar freshens considerably with coriander and cedar. However, the smoke stays throughout the duration of the fragrance, even if it becomes somewhat muted. I don't get an amber accord out of it, even though it's in the note pyramid here. My description is short because the fragrance is straightforward and simple. However, that works to Nar's advantage, since there is clear note separation, it smells natural, and it is exceedingly smooth. Performance is average. I get around 5 or 6 hours from it. It also sits close to the skin. It is gentle and tender like Abdel Halim's voice. If it was inspired by someone with a voice as powerful and boisterous as Oum Kalsoum, on the other hand, I'd imagine it would make powerhouse houses like Jacques Bogart or Montale seem tame in comparison.

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