Louis Vuitton
Symphony

Seu armário
Entre para dizer que você tem, já testou ou quer este perfume. Suas marcações ficam privadas por padrão.
Criar conta é grátis e leva menos de um minuto.
Acordes dominantes
- cítrico
- especiado fresco
- aromático
- floral
- talcado
- amadeirado
Pirâmide olfativa
Como ele se comporta
Fixação, projeção e ocasião — votos da comunidade internacional somados aos daqui.
Gênero
95 votos
Quando usar
- Inverno: 14 votos
- Primavera: 89 votos
- Verão: 97 votos
- Outono: 39 votos
- Dia: 86 votos
- Noite: 28 votos
Onde encontrar
Nenhum decant à venda nem vaquinha aberta agora. Marque Quero ali em cima — é o interesse da comunidade que puxa a próxima vaquinha.
Ver vaquinhas abertasQuem gosta deste também gosta
Perfumes próximos no gosto de quem curte este — bons candidatos para o próximo decant.
Impressões da comunidade internacional
Traduções chegam aos poucos — textos em inglês por enquanto.
- em inglês
Symphony is a very simple formula that has been refined to perfection. Think a Lexus or Acura, a car built on a reliable platform but transformed into something higher end, yet still remains an excellent daily driver. The notes given on Fragrantica and by LV themselves in my opinion do not aptly describe how this perfume smells. It is considerably better than the sum of the three simple parts listed. LV would do better to not advertise Symphony in this way, instead describing it in terms of what it expresses. It's an expression of the concept of citrus, rather than a specific fruit. It's an expression of tartness, rather than "ginger". It turns an interesting shade of musky in the dry down, which isn't even listed as an accord. The impression one gets is that Symphony is entirely synthetic, which would account for the impressive performance, but so well made that even natural oils do not compare. Again, a straightforward set of ideas given the chance to be fully realized. There is one more critical aspect of this ridiculously expensive perfume's very simple demeanour. It is perhaps one of the best layering perfumes in existence. It is to citrus what Arabian perfume oils are to oud. LV's Pur Santal/Oud/Ambre go for >$1500, but this is less than half as much, punching above its own weight in the same kind of duty. If you want to add the concept of citrus to a perfume that doesn't already have it, or bolster existing notes that may not last too long for you, layer a spray of Symphony and it will play to its name like nothing else. Time to address the elephant in the room, Khadlaj Island Dreams. In my room, it sits right next to Symphony, pressing its proverbial tusks into it. The truth is, Island Dreams smells identical to Symphony for the first five to ten minutes. After this, Symphony retains its fizzy brightness, while Island Dreams becomes somewhat sweeter and less citrusy. Anyone considering Symphony should first buy Island Dreams to see if it suffices, and to see if they like the DNA. For me, in comparison to Symphony, I found Island Dreams to not perform as well, not have as pleasant of a dry down, and it didn't generate the same beautiful layering, so I was content to play LV's game. Island Dream's existence is welcomed, if only as a means to show that it's impossible to judge a perfume off notes alone, but its existence does not detract from the wonderful piece of perfumery that Symphony is. Lastly, the bottle is lovely. A nice bottle is important, satisfying our sense of sight, sound, and touch on a product that otherwise only satisfies one sense. The late Frank Gehry, whose architecture everyone has witnessed at least once, even if unknowingly, truly made a wonderful little trinket. A small, unnecessary touch, but that is ultimately true of perfumery in general. Smell: 20/20 Versatility: 10/10 Performance: 10/10 (10h+) Value: 3/5 Bottle: 5/5 Verdict: 48/50
- em inglês
This fragrance is a mystery in itself. And yet, it comes from a world far removed from my usual tastes: I’m drawn to gourmand, cocooning scents—fragrances you wear like a second skin, warm and comforting. Almost by chance, at Louis Vuitton, while purchasing a bag, my eyes wandered to the perfume bottles. Initially, Étoile Filante was the one I had my heart set on: luminous, enigmatic. Then I made the mistake of smelling Symphony. A beautiful mistake. With the first breath, my mind faltered. An olfactory explosion—impossible to categorize, impossible to name. My eyes closed, then opened wide: a spark in my gaze, a quiet smile on my lips, a kind of reverence before a scent so radiant it felt almost unreal. Divine. With time, everything became clear. This fragrance carries its name with uncanny precision. Symphony is not merely a perfume—it is a composition. An architecture of accords, each note answering another, never competing, never overwhelming. The experience reminded me of those suspended moments—sitting in the passenger seat of a car or on a train, headphones on, the mind drifting—when a song you deeply love suddenly begins to play. A melody you could listen to on repeat, sending the same shivers through you every time, because of the way its nuances are so exact, so alive, almost visceral. That same emotion lives on the skin: the glimmer in the eyes, the instinctive smile, the quiet thrill. The wonder that comes from encountering something beautiful—something you cannot explain, only feel. From an olfactory standpoint, Symphony is a feat. Its construction is remarkably clear, its longevity exceptional, its sillage expansive yet never aggressive. It envelops without overpowering, captivates without ever tipping into excess. And most importantly, it avoids the pitfall of overly “clean” compositions: no harshness, no artificiality, no trace of that detergent-like sterility. Yes, I nearly fainted when I saw the price. But I gave in. Because some perfumes are not simply purchased—they choose you. And what remains is a question that borders on the metaphysical for a fragrance lover like myself: how was it possible to create something so precise, so luminous, so timeless?
- em inglês
Here's the thing with this fragrance, I recently thought I got bored of it and took it off my list to buy. But then I went and tested about 50 perfumes in stores that same day put them all in zip lock bags on test strips and stuff so the smells didn't mix and wrote the names on all the test strips... and just like my first impression of this fragrance I fell in love with it again because it always beats all the other fragrances I try during that same day and I keep saying it but it's quality and so unique for a fresh citrusy scent. Like just when you think it's boring and not unique, you go smell a bunch of other fresh fragrances and then compare it to symphony again and yet symphony stands out as being so different from anything else out there in terms of citrus goes. And i'm glad I keep coming back to this scent over and over again, yes my mind changes sometimes but one thing this fragrance will keep doing it winning me over every time I smell it and compare it to other fragrances. But i'm not saying others will agree with me, i'm not saying if you let random people in public test like 50 different fragrances I doubt they'd mutually all agree symphony is the best it's something just personally I can appreciate having tested over 3000+ fragrances in my life and knowing the quality difference and what makes up good perfumery. People that are new to fragrances typically love fruity, gourmand or aquatic scents...sure they love citrus too but they'd probably say something like dylan blue, bleu de chanel, acqua di gio, chanel allure homme sport, etc..those types of citrus. In my opinion there's no citrus so far i've tried that smell like symphony it's definitely got it's own unique identity although I wouldn't say it's groundbreaking either. Most people would say a unique fragrance is something that really steps outside the box and does something different, but it doesn't have to do that to be unique actually. Megamare was a unique aquatic scent, symphony is a unique citrus and l'eau papier was a unique musky scent and then there's stuff like PDM sedley which is a unique bleu fragrance.
- em inglês
I wanted to offer a counter-perspective on this incredible fragrance. This isn't meant to invalidate those who pick up on "cleaning product" associations, but rather to push back against the narrative that Symphony is a "simple" or "cheap" composition. The magic of Symphony lies in its ability to sustain a remarkably pure, ethereal citrus experience over a long duration. Formulating a heavy, dark fragrance with massive projection is practically a solved science at this point. Achieving that same tenacious performance with an airy, radiant, and weightless profile is incredibly difficult, and a testament to Jacques Cavallier’s mastery. To address the "cheap" allegations directly: if you look at the GCMS data, this formula relies on a massive overdose of highly expensive, premium materials. It features something to the tune of 30% Helvetolide, ~19% Ambrox Super, and nearly 18.5% Paradisone. These are supported by a substantial dose of other captive musks, alongside top-tier citrus naturals and Ginger CO2 extract. Because of this, the composition is exceptionally expensive to compound—often more so than formulas heavily reliant on naturals—and nearly impossible to accurately replicate. These high-end synthetics are proprietary, reserved exclusively for specific houses and master perfumers. Clone brands forced to substitute standard Hedione or Hedione HC will never achieve the blinding, radiant transparency of genuine Paradisone (arguably Firmenich's finest captive). The same goes for their attempts to mimic Helvetolide and true Ambrox Super. We all know the margins in luxury perfumery, but with Symphony, you are actually paying for a top-tier, highly expensive chemical formulation, masterful blending, premium presentation, and the sheer technical achievement of bottling pure, lasting radiance.
- em inglês
i bought this fragrance. its so good. of all the LVs i have smelled and owned (imagination, l'imminsite, ombre nomade, city of stars, les sables rose) this truly is the best one for me. its fresh, clean, and the grapefruit and begamot is so unbelievably good it makes you smell a bit edible, but it is not gourmand. its such a wonderful summer fragrance. every spray is an absolute masterpiece. lets ignore the price tag—this scent is GORGEOUS—it has a consistent citrus smell for 12+hours which performs so well too and over 24+ hours on clothes left at home (tested by me) it has a realistic grapefruit bergamot smell with a fizzy effect which fades with the ginger smoothly while mainting that bergamot and grapefruit smell. i wouldnt say its the best LV for dates, that would go to les sables rose for me. however, the scent profile of symphony is so good, i can wear it anywhere anytime and since i live in a tropical country this fragrance is PERFECT. this fragrance beats the iconic imagination by a mile. i like to wear this when im walking with someone special, when im out to run errands, its a pretty versatile scent. now lets consider the price, ts is freaking expensive yo, yes i can wear it anyrime anywhere but the guilt of spraying is just difficult to bear. so i wear it only when theres someone who i want to think i smell good, simple but unique and luxurious. its versatility can be compared to l'imminsite. this fragrance has exceptional performance, great smell and longevity and is hands down the BEST LV fragrance (khadlaj island dream doesnt come close) LV SYMPHONY — 10/10
Resenhas da comunidade
0 comentáriosEntre na sua conta para comentar e resenhar.
EntrarAinda ninguém resenhou este perfume
Seja a primeira pessoa a contar como ele se comporta na pele: projeção, fixação e a ocasião certa.
Encontrou um erro ou falta informação? A comunidade melhora o catálogo junto.





