Dior
Miss Dior Parfum

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Acordes dominantes
- verde
- floral branco
- patchouli
- balsâmico
- amadeirado
- aromático
Pirâmide olfativa
Como ele se comporta
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Gênero
3 votos
Quando usar
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- Primavera: 4 votos
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- Outono: 3 votos
- Dia: 5 votos
- Noite: 1 voto
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Impressões da comunidade internacional
Traduções chegam aos poucos — textos em inglês por enquanto.
- em inglês
(Comparison of an extrait and an esprit de parfum both bottles c. early 1980s) One of the favorite activities of this perfume nerd is to mess around with Dior extrait and esprit concentrations of the same perfume. When wearing one or the other, I almost always put out the other to recalibrate my reference points. In my opinion, the esprits are usually the best versions of the Dior perfume in question. Their natures seem to be more energetic and lively, their evolutions more dynamic and pronounced. Miss Dior is a very curious case in this regard, mostly because there is something about the vintage extrait compositions that don’t stand up well to time, and the margin of variances is quite large. In some bottles both the galbanum and jasmine have severely muted, in others just the galbanum, and still in others the patchouli chypre base smells far more enormous than intended. The esprit concentrations generally seem to hold up well and maintain consistency, though that could be because the juice of those concentrations is typically much younger than that of the vintage extraits. In the two bottles of vintage extrait that I own, one has the galbanum top intact while the other generally goes straight to the jasmine floral heart. The galbanum is bitter green and waxy, when you can find it - a rush of freshly cut stems. When the galbanum is absent or greatly muted, the jasmine of the heart layer is immediately noticeable and pushes more of a honeyed fruity character, a sort of vague overlap to the narcissus and rose notes, before it dispenses to the white floral characters of jasmine and an oily orris. In the esprit the galbanum can be a bit iffy, but the jasmine is quite a bit brighter than it is any bottle of the extrait that I’ve smelled, which means that jasmine’s naturally green citrusy edge helps to hold up the green accord in a more convincing fashion. The narcissus note certainly helps with this, while the rose and orris seem to have been dialed back quite a bit. When the jasmine in the extrait gives out, a swell of oakmoss and patchouli comes forward in a very big and very loud fashion. For a classic extrait that would typically stay close to the skin, Miss Dior Extrait projects and sillages quite powerfully, and the esprit is no slouch either but it seems to have a bit less oomph than the extrait. This is probably due to there being noticeably less oakmoss to my bottle of the esprit, opting for more of the patchouli that has a loamy and green edge to it. The extrait eventually, after a long time, gets to the same place with the loamy green patchouli, but its brown earthiness is more pronounced. Miss Dior in both concentrations and in vintage formulations is gorgeous and exemplars of the vintage green chypre genre. Note, however, that neither the extrait nor the esprit have anything to do with the Miss Dior available to us in retail today. Formulations of Miss Dior created since the turn of the century should really have been called a different perfume, since the sweet fruity and soapy floral character is about as opposite to the Miss Dior of Jean Carles as it’s possible to get. Ironically, this old Miss Dior that I know and love is quite unisex today with its bitter greens, oakmoss and patchouli, and maybe that was the problem. Today’s ladies are likely not going to buy anything that smells like these old extraits or esprits, and how the hell would you successfully sell a perfume called Miss Dior to today’s man, the kind that would find it excruciatingly hard to explain to his gym bros and fellow craft IPA connoisseurs. I suppose this means that the Miss Dior I know and love is dead and doomed to stay that way, which is an awful pity. I really enjoy her company.
- em inglês
A deceiving name for 21st Dichotomy “We as perfume enthusiasts have a solid idea of the different eras of perfumery and why certain genres i.e chypres, fougères, orientals carry gendered legacies. But what if those legacies were never as rigid as we’ve been taught?” Gender in perfumery and fragrances: The millenia of the horticulture of perfumes has been under traumatic gender associations throughout its massification. Genres like chypres and orientals being the core derivatives of the feminines, whereas fougeres and citrus woody(s) being the masculines. The very first well known chypre being Chypre de Coty was directed for the 18th century classy women, whereas Fougere Royale being the first fougere for men. Miss Dior, a chypre officially released in the late 40s for the masses was among the first green-floral chypres marking a brand new facet to the pre-existing genre for a wider permutation. This is basically Dior at their peak with a revolution, having brilliant minds like Jean Charles and Paul Vacher work, which later was extended by Edmond Roudnitska. MY TAKE: Miss dior, don't let the name fool your neurons; the “Miss” here refer to the 19th century misses. it was seen as how a women with class and intricacies might smell like back then. Which to todays reference smells more like a unisex or even mens release. The original 1947 (extract) formula is a chiaroscuro of contrasts, much like the interplay of light in a photograph. Its green-floral chypre structure opens with a sharp, almost metallic bergamot (limonene’s citrus bite), softened by galbanum’s sappy verdancy. The galbanum is razor sharp and crushed, not sliced an emerald bitterness that still feels avant-garde. The heart is a labyrinth, a narcotic jasmine absolute (indole’s animalic hum) clashing with cool, dewy muguet (hydroxycitronellal’s soapy elegance), all anchored by a leathery rose—a nod to phenethyl alcohol’s velvety depth, all smothered in 100year old patchouli EO. The genius flare emerges in the base: a rotten elegance of civet and oakmoss, fermented via a phenolic leather accord (likely IBQ) that reads as “feminine” only through the lens of postwar optimism. Structurally, it’s closer to a fougère’s bone marrow to lavender’s ghost haunts the geranium heart, but inverted, with moss shouldering 70% of the pyramid. Why Vintage Miss Dior Defies Time Consider sillage as a wave function, vintage Miss Dior’s projection is a probability cloud, oscillating between floral luminosity and earthy decay. Its longevity (8+ hours) stems from nitro-musks, now banned for phototoxicity but prized for their radiant persistence. Modern iterations rely on a messy ethyl maltol cotton-candy diffusion, a monochromatic sweetness that collapses the fragrance’s quantum complexity into a flatline. Wearing (40s-90s) vintage Miss Dior today is an experiment in paradox. Is it masculine? Feminine? Both. Neither. Its oakmoss-leather coupling resonates with the austerity of a tailored suit, while the jasmine-muguet duo blooms like a silk gown. This duality mirrors quantum superposition, a scent existing in multiple states until perceived. Modern perfumery, obsessed with gender binaries, could learn from this.
- em inglês
Miss Dior from 1947, by two perfumers, whose perhaps "trademarks" are imprinted on this beauty. The meeting of two genius noses of their time. Jean Carles. I am not sure, but having seen that he was behind Me Griffe and Schiaparelli Shocking, I suspect he was behind Le Six de Schiaparelli, created in 1937, a precursor of verdant loveliness, to this creation for the house of Dior. Et Paul Vacher, who created the mighty Arpege (and until you whiff the vintage, Arpege may not be so spectacular to you). Miss Dior was reworked fairly recent (unsure when), with a new "originale" version. But this is far more complex that the notes above suggest. Notes are: Top: Gardenia, galbanum, clary sage, aldehydes Heart: Jasmine, rose, neroli, narcissus, iris, eyelet, lily of the valley Base: Patchouli, cistus-labdanum, oakmoss, ambergris, sandalwood, vetiver, leather (cuir de Russie) Vintage parfum, not sure of the date, but it is pre-barcode, but says 30ml/1Oz.. am guessing late 1970's. I am immediately hit with a floral green aldehyde chypre. crystalline. then warm mossy woods with a touch of dirtiness and leather. straight backed. becoming warm. sexy. naughty. Miss Dior. Having not yet managed to get my mits on Ma Griffe, Chypre de Coty nor Vent Verte, I am unable to compare with these other green beauties, who I understand share a passing resemblance to Miss Dior. I am also getting a dry down reminder to the base of the lovely Heure Exquise, but Miss Dior is smoother, silkier, creamier, more complex. This perfume to my nose is where the haughty green chypre club meets the floral aldehyde posse. So would suit anyone who fancies that kind of fusion. I personally cannot get enough of my vintage collection of green goddesses. Pure bliss. Having had a vintage splurge recently, as a glut just suddenly appeared on eBay - I wonder whether I will ever again appreciate "modern" materials in perfume. I hope so.
- em inglês
A bit fat YES to this one, despite the fact it opens up with a slap in the face from very powerful chypre demons!! The 1st time I smelled it out of the bottle cap - it smelled like old lady's panties. I could not fathom who in the world would ever want to wear that! Then, after a while, feeling too intrigued, I just decided to surrender the designer hype ( figuring, Dior could have NOT possibly deserved the good name producing bottled stale pee!! ) and bought pure perfume on Ebay, for a song, compared to the store prices. It was still a risky venture, but I thought - hey, I'll put it on when I want to play pretentious just for laughs, or when/if I hit 80! Sprayed on the skin, waited out ca. 10 minutes - and WOOOOOOOW, it just kept evolving and blossoming, light, freshly-cut-grass green, sunny and so fragile!! After "Gianni Versace" by Versace this is the 2nd perfume that changes so much, starting as hideous and peaking in perfection! If I ever get to the point in life, when I can afford this high-class stuff to penetrate my daily life , I will definitely make Miss Dior my spring/summer signature scent, COCO taking over in colder times. For now it's a fancy daytime summer occasions perfume for me - and I hope I will have a lot of them in the coming year just to have an excuse to wear Miss Dior!
- em inglês
I have just opened a recent purchase of a vintage Miss Dior gift set - 2 ounces of EDT and 1/8 ounce 'parfum pour le sac' - in its original satin-lined presentaion box. Like Carinas, I bought this blind. In my case it was just on the strength of my love of all the other Dior-named creations I have. I am wearing a small dab of the parfum, and it is transporting me to another time and place. A place where refinement and etiquette are the orders of the day. Where there is mutual respect between the sexes as well as an appreciation of the differences. The old song "I Enjoy Being A Girl" is swirling in my head and I am tripping lightly down the street in a beautiful day dress with my handbag swinging. (But I am not a Stepford wife!) The thing I love most about the scent is the balmy notes. Most of my favorite perfumes are either fresh green scents (like Diorella) or lush florals (like Diorissimo). And if what I'm sensing is patchouli, all I can say is that I must never have experienced it in its purest form. This is a truly feminine and beautifully crafted fragrance and, like all my other vintage Diors, is a gift from the past.
- em inglês
It says here the perfume is available in bottles of 7,5 ml, but my bottle is 15 ml. I asked for a smaller bottle at the Dior counter, but the 15 ml was all they had. They had never had any 7,5 ml either. I guess I have the reformulation, since I bought it just a couple of weeks ago. I like the perfume better than the EDT. The EDT can smell like clean soap, but not the perfume. On my wrist, I smell patchouli quite strong. It smells like musk too. Strange that even on the Dior site, they only list these 3 notes they have here. But surely this perfume must contain more than 3 notes? Normally they mix around 100 notes or more, to make a fragrance. Well, musky patchouli is what I smell. I don't know what galbanum smells like, but there's something else mixed with the musk and patchouli and I guess that must be the galbanum. Just a tiny, tiny hint of jasmine. There's something sweet in there too. I wish I knew the other notes too. I think it's a beautiful scent and for anyone who wonders whether to buy the EDT or the perfume, save enough money to buy the perfume. It's so much better! I can't stop smelling my wrist. Gorgeous!
- em inglês
O my! I was lucky to be able to buy a bottle of 30ml parfum for 45 Euro’s. The comment was the glass stopper got stuck and the bottle wouldn’t open. But... after a few hours it opened. The scent is unbelievable! A full body scent, classy, soapy. The longlivety is amazing. And this after so many years! I love the good oldfashioned scents. And the cardboard label on it is really someting to make you smile.
- em inglês
I could weep. Rich and refined, a sharp-tongued woman in a smart grey tweed suit, lounging on a leather chaise. Jasmine made stern, green, with dry galbanum and sage, and deep patchouli. I have not had luck dating my pebble-shaped tiny splash bottle but I'm so pleased to have it.
- em inglês
1960s (I think) Miss Dior Parfum. It's by far the most animalic iteration I've tried so far, an hour in and it's melded with my skin beautifully. A much raunchier affair than today's anaemic 'Originale' offering. A masterpiece.
- em inglês
This also exists in 30 ml and 15 ml. I have the amphora/baccara bottle from the 50ies both in 7,5 ml and 30 ml pure perfume. It still smells wonderful. A classic chypre with flowerundertones. Ladylike and sophisticated. I especially enjoy the drydown where a sweeter tone mellows the strong chypre beginning. Surely rose is one of the flowers - cant say I smell patchouli - but this seems to be for several versions so mine is surely more complex then the notes mention in the text above. I really cant find out where I should put this review so will also put it under extract - very confusing.
- em inglês
This review is for the vintage Miss Dior Parfum. New formula smells like a totally different fragrance to me, I'm not saying the new version is bad, but it's different and should not be called Miss Dior. Vintage pure parfum is class in a bottle. Love it. I just can't understand why people call Miss Dior "old lady", it's classy, chic, mysterious, sexy, everything one lady should want to smell like, regardless of her age. It's timeless classic. If you can get your hands on vintage Miss Dior parfum, check it out. I bought it blind and it's my best blind buy to date!
- em inglês
Dior Miss Dior Parfum (1947) - green chypre - Carles & Vacher’s perfume starts with waxy and bright aldehydes, a sweet-animalic civet note mixed with cut-grass and dry Galbanum. It transitions to an amber-like accord mixed with Jasmine. Glad the chypre-accord (Labdanum, Oakmoss, Patchouli) at the base keep the fragrance from going too indolic. There’s a little refinement in the construction I would have preferred and won’t trade my vintage Mitsuoko for it, but a beautiful vintage chypre and worth the hunt.
- em inglês
wow! gorgeous bottle! I hope the scent is gorgeous too! lemme try this one :)
- em inglês
Review for 1979 vintage. Gorgeous scrubber. I can't stand with it, but this is rich and deep fragrance. I got strong patchouli, thick amber and almost acidic green scent. It reminds me of old nail lacqurs from my mother's dresser. Too harsh to my nose. Miss Dior is like a old rich lady who wears nice suits, slaps her maid and makes her cry. She has a free spirited daughter Diorella and a grand-daughter Dune.
- em inglês
Fragrance Review For Miss Dior Extrait De Parfum Dior Top Notes Galbanum Middle Notes Jasmine Base Notes Patchouli The extract of the original Miss Dior Eau de Parfum (1947) is a heavier concentration, with an aroma that could wake the dead! But they would be resurrecting to such a beautiful scent, a fragrance they would give anything to wear again. This is absolutely beautiful. I've been wearing this fragrance for New York Fashion Week. Nowadays it's hard to find this exact dab-on bottle but it's essentially a denser perfume and contains less notes than the original with only 3 notes of galbanum, jasmine and patchouli. As if they need any other notes besides these powerful punches. All 3 notes are the most aromatic and fiercest of perfume notes. There is only a trace of aldehydes before the scent becomes green with a patchouli scent that wears like incense. It's smoky and herbal, even a bit on the medicinal side. It's not right to say it but at times it smells like a more pleasant equivalent of marijuana. It's herbal and aromatic. There is also an oiliness, like patchouli oil. The fact that it's the pure perfume and not a spray provides this fragrance with a camphor and oiliness not found in most typical perfumes of our modern day in age. This is definitely patchouli oil in nature so it's best to apply on your skin with a light touch. I apply it on my wrists and collarbone. There's no need to douse yourself in it. The jasmine flower is the only floral note but she is a diva flower with enormous projection. It's a night blooming indolic jasmine, musky-jasmine, and smells a little bit like the jasmine at the forefront of Alien by Thierry Mugler. If you like that kind of "dirty jasmine" then you'll like this one. It's an Oriental jasmine and patchouli scent, dark, mysterious, elegant and confident. It even comes off as unisex by today's standards. Both men and women can wear this. It's not girly nor stereotypically feminine, nor aggressively masculine. It lies in a middle area but it is very mature and confident. The dry down is strange. It smells like patchouli but there is also something like moss and musk. It's dark and incensed, smoky and warm, even hot. This perfume is meant to be worn in the evening as a cologne, it's formal and takes itself with seriousness, it commands respect, and even reverence. It can be worn to Church and in fact it's easy for me to visualize a woman in a dark veil lighting candles at Vespers in a Cathedral. It's a fragrance of the night, and smells like those gorgeous chypres that represent the night like Paco Rabanne's La Nuit. I have always loved those type of perfumes. Miss Dior is an Oriental masterpiece, and in the extract it's base notes and darker more Oriental nature is showcased. The jasmine, the patchouli, the galbanum, are all notes that I really love so for me to find them all in one perfume is such a joy. This perfume is fantastic. If you can find it on ebay and have never worn it, but have worn the vintage Miss Dior you should go ahead and buy it. It's like the original but cut down to size and cuts to the chase as far as the notes that matter. I also love the look of the bottle with the square shape and the little bow. I have 3 small bottles and I'm using them up this month. I'm in love with this perfume.
- em inglês
I’ve been very vocal about my feelings toward the new Miss Diors - I’ve called them the ultimate NPC experience, and I stand by that. Then I smelled the original Miss Dior... and, well, things have shifted. It’s absolutely dated, there’s no pretending otherwise. This is not modern, and no one would mistake it for something released in the last twenty years. But it’s beautiful, complete, grounded, and thought-through. Balanced from top to base like an actual composition, not a mood board. Green, woody, slightly mossy backbone that immediately situates it in a different era. It actually reminded me - not in smell, but in energy - of Chanel No. 19. Same elegance, a little aloof and unisex. And for something called “Miss,” it isn’t girlish at all. The modern versions share the name, but that’s where the resemblance ends. Smelling the original made me understand that there was character, intention, and a point of view. It doesn’t make me suddenly love the current releases, but it does make me at least respect the legacy.
- em inglês
#117 Gigantically gorgeous. I have a 7.5mL bottle from the 50s, it's about 1/2 full. Which turns out, despite my worries, to be more than enough to last me a long while. Not an every day scent to me, as it's quite remarkable. As many reviewers have mentioned, it's very herbaecious and ever so slightly camphorous. THIS is what Miss Dior should be, 'Originale' doesn't even hold a candle to it. The galbanum seems to be the very main player here, reminds me quite a lot of Chamade due to this. Very long lasting to me, despite the fact that I have a blocked nose when wearing this. It may have actually cleared my nose, because I can smell it clear as day! Now I need to try the EdC and EdT
- em inglês
Is this perfume extrait discontinue? I can't find at many major perfume online store. Update: I look into Dior International page again, Miss Dior Extrait has just moved to the Le Extraits section with ja'dore & poison Extraits. At end of 2014, I found out KLCC Malaysia is selling the Extraits de Parfum. The SA is not so sure whether these are temporary promotion or permanent items. I hope Dior decides to keep on selling these Extraits de Parfum in Malaysia.
- em inglês
Hello. I'm not sure if I'm posting in the right section. At my neighborhood vintage store, I came across a bottle of what I think is Miss Dior parfum. It's a 7.5 cylindrical bottle, with vertical grooves in the glass. It's topped with a metal, screwtop lid. The juice smells divine!
- em inglês
It is a truly marvellous perfume! If Chanel N.5 is pure chic, then Miss Dior (1947) is opulence in a bottle. It reminds a cut diamond with many beautiful facets.
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